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This is a fine album of folk and roots-rock
by a guy from Kansas City. Mike Ireland plays bass on it, otherwise I don't
know much about it other then I love the album. Iceberg's voice is not excellent,
in fact it reminds me a lot of John Prine or Bob Dylan, neither one of whom let
their voices get in the way of great music. It makes me wonder, would Prine
or Dylan be signed to major label if they came upon the music scene today?
Probably not. This CD deserves to be heard by fans of good songwriting and
great rootsy arrangements. | Best songs: You're the One I Want, Waiting for the Prisoners
to Riot, If I Spoke Italian, Scarlet Fever. He has a brand new website, howardiceberg.com
with bios, tour and CD ordering. I'm told you can order the CD from Miles
of Music, or Amazon. Released Oct, '98, reviewed by Bill Frater. |
IGNITORS
Speedway Sounds... (Hayden's Ferry) |
The group sort of goes with a race car motif for the title and the CD liner notes
and such but if I were to compare this group to a car, I wouldn't choose the fastest
car on the track but the points leader that wins a few but makes a great show
in every race. Let me explain. Rather than blasting off of the starting line and
blowing their engine in the first lap or winding up in a senseless pile-up, this
band's music is very polished and radio-ready and bound to be a strong finisher
in any pile of CDs. Definitely not a bad thing, as the band mixes enough exciting,
radical touches in their music while still maintaining a sound that sounds at
home over the old airwaves. While they don't reach the experimental heights of,
say, Wilco, the band seems to specialize in the ultra-catchy hook and nearly every
song on this is good enough to hit big. I couldn't find a weak song on here. Also,
any band that covers Nick Lowe ("Lucky Dog") is fine by me. While not
that flash, I'd bet on this band anytime. An all-around points winner! |
Hayden's
Ferry's web site. Released Aug. 2001. Reviewed
by Scott Homewood . |
IMPERIAL
GOLD CROWN HARMONIZERS
Imperial Gold Crown Harmonizers... (Catamount) |
The Imperial Gold Crown Harmonizers, (who number Gurf Morlix among its membership),
hold down a weekly brunch-time gig at the Empanada Parlour in Austin, Texas.
This ego-less group donates their weekly take to a local charity, thus ensuring
the unspoken premise of goodwill. While the music made by this (currently) seven
piece group is marked as Gospel, you don't need any religious affiliation to wade
in the water. With five featured vocalists the sounds range from the traditional
uplift of Martha Merriell and Sarah Brown to dark-night-of- the-soul moans provided
by Scrappy Jud Newcomb. If Curtis Mayfield and Pops Staples have a place
on your stereo, this tremendous groove will too. |
Catamount's site. Reviewed
by Blaine
Schultz |
JACK
INGRAM
Electric... (Lucky Dog/Sony) |
I don't know about you, but I think it's fun to watch the development of an artist.
From their debut to their current release, what choices they've made and if said
choices have hurt them or helped them. Ingram is a good case to study. When he
first entered the public view, he was tossed off as being lightweight - another
flimsy country confection that would last as long as your typical hat act and
then fade from view. It will sure shock those people when they get this new album.
Sure, he started off without much depth, but each of his albums got steadily better.
While this one is no masterpiece on a par with Dylan or Bruntnell, it's the finest
work Ingram has done to date and shows a songwriting maturity and a vocal confidence
few would have thought him capable of. He also has demonstrated a fine choice
of covers and has picked gems from Will Kimbrough and Scott Miller and even co-wrote
a great song with Jim Lauderdale. This album bodes well for Ingram and even country
as a whole and is so good I can't wait to see what he does next. Of course, I'll
be playing this one until then. | Jack's
got a pretty cool site, JackIngram.net.
Sony has a Jack site with
tour and bio stuff. Buy
from amazon Released June 2002. Reviewed
by Scott Homewood . |
DAVE INSLEY
Call Me Lonesome… (self released) |
Out of the ashes of Arizona's Trophy Husbands comes this great solo release from Dave Insley. He jumps right out of the gate with the hard tonkin' “There's Gonna Be A Few Changes” with the line “I'm expanding my vocabulary beyond the words ‘Yes dear'”. I realize this may be the only song I have to hear to love this CD. But there's quite a few more great songs bouncing around a little with some bluegrass, ragtime and even some R&B. He has a deep baritone that reminds me of Jr. Brown, only Insley's voice has more character. It's the honky tonk that carries the show with some able support from sometimes-Guilty Man Rick Shea. This guy's got the goods! |
Dave's web site has CD's by mail or order from Miles of Music. Released Feb. '05, reviewed by Bill Frater. |
MARK
INSLEY
Tucson... (Rustic) |
Wow! That's about all I can say but will try to do better for you. People have
been raving for the past few years about how good a songwriter ex-Whiskeytowner
Ryan Adams is. For my money, Insley has him beat. Where Adams' songs tend to be
oblique and detached, Insley's songs tend to cut through to the marrow without
any wasted words or time. And Insley's interestingly fresh yet strikingly familiar
melodies wash over you, literally forcing you to sing along, to become part of
the songs itself when you hear them. Yes, he got some ringers like Dave Alvin,
Albert Lee and a few of John Hiatt's Goners to help him but all credit for this
gem of a record must go to Insley and his magnetic songs. More roots rock than
traditional country but a phenomenally good record. Get this now! |
Check out Rustic's
site for bio and tour info. Released Sept. 2001. Reviewed by Scott
Homewood . |
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This excellent band comes
out of Kansas City, and they're on grunge-pioneer label Sub Pop, surprisingly
enough. They are the "real deal", soulful, hip and square at the same
time, and not full of themselves, and not trying to be something that thet aren't.
And, get this, many of the songs feature a small string section a la "countrypolitan"
music from the early 70's on country radio. It works, thanks to Ireland's great
voice, although he's no George Jones, and his wonderfully simple broken-heart
songs. The band is great and subtle, not too twangy and not too rockin'. They
even look kinda hip/square on the cover. so contradictions are everywhere, and
I love this CD more each time I hear it! Thanks to Sub Pop for finding and signing
these guys. I recommended you give this CD a listen! |
Best cuts: House
of Secrets, Headed For a Fall, Biggest Torch In Town, Cry, Learning How to Live.
The band's Sub
Pop page, includes bio, samples, ordering, etc. Released March, '98.
Reviewed by Bill Frater. |
I SEE HAWKS IN L.A.
California Country... (Western Seeds) |
Hawks main vocalist and co-writer Rob Waller has been known to say country never died, it just changed names. But the California country rock of this band, one of the finest on the scene, takes some by ways down back roads from L.A. to Bakersfield clear up to Marin County, making them heirs in my book not just of the Byrds and Burritos but Workingman's-era Dead and New Riders. This group of songs doesn't quite reach the heights of the best of Grapevine to me, but is more consistent and fully realized. The opener "Motorcycle Mama" is not the Neil Young song, but makes reference to it the final chorus. Slices of life songwriting laced with passion and humor (try “Slash from Guns N' Roses”) and the by now required ode to cannabis ("Barrier Reef") show the band to be at a peak, musically that is. Pedal and lap steel, psychedelic guitar solos and the excellent fiddling of Brantley Kearns (the fifth Hawk?) flesh out the solidly written tunes, making this a must have disc.
And check out their website for note worthy blog reports from a down to earth band on the move. |
The above-mentioned website also has CD ordering. Released May, '06.
Reviewed by Michael Meehan. |
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This Minnesota band has a great roots-rock
sound that features strong melodic songs and tasty lead guitar. Songwriter and
lead singer Isreal's voice has a little Jeff Tweedy from Wilco mixed with a little
Bob Dylan. Some songs have a little power-pop to them while others manage to sound
country without the usual country instruments. They're probably only playing the
bars in St. Paul, but there's a lot of talent here. I look forward to a follow
up CD due in late 98. |
DAN
ISRAEL & THE CULTIVATORS
Love Ain't a Cliché... (Hayden's Ferry) |
The first thing that struck me when listening to Israel's new CD is Tom Petty,
believe it or not. While Petty has allowed his creative juices to drain from his
career at an alarming rate over the last few years (witness his latest clunker
The Last DJ to see how far he's fallen) Israel has crafted an interesting
album full of great well-polished (but not overly so) roots rock songs that sound
as good as Petty's ever done. Not only that, but Israel crafts his musical magic
with a stripped down sound involving him and just two other guys, save a guest
here and there. Does Israel sound like Petty vocally? No. Do Israel's songs sound
like Petty's? No. Then why use Petty as a comparison? Because Petty is held up
as an artist who is "bankable" and "steady" - same sound,
no surprises - just Petty. Well, I for one want to hand it to another artist who
is also "bankable" and "steady" - great songs, great stripped
down country rocking sound, no weird sonic surprises - just great sounding albums:
Dan Israel and the Cultivators. Here's an idea: instead of wasting money on an
album from a superstar who's obviously lost his touch, pick one up from a rising
star who deserves more attention. Anyone into some cool swagger-filled roots rock
will be interested in this gem. | The
band's site. Order from Miles
Of Music or CD
Baby. Reviewed by Scott
Homewood |
DAN ISRAEL
Time I Get Home... (Eclectone) |
This marks the sixth release for Minnesota's Dan Israel, and it's essentially a solo effort. Recorded in his basement, with drums and organ backup from David Russ and Peter Sands, Israel handles the rest of the work by himself, writing, vocals, guitars, bass, and piano. While being a physical departure from Hayden's Ferry Records, this an Eclectone Records production, it's still got that rootsy rock feel of his earlier work. He has been, questionably to me, compared to Tom Petty. OK, he's got some of the same nasal harmonics in his voice, like Petty, and, he does use some similar rhythms and song structures, but I don't think that Tom has a copyright on those items, just like Strauss couldn't preempt the waltz after writing “The Blue Danube”. And, more importantly, he's doing a lot more productive things with his talent: his lyrics are crafted to say something, rather than to provide fluff for a guitar line, e.g. as in “Don't Turn Away”. You can't make a silk purse out of a sow's ear, and you can't build a song in its entirety around a hookish guitar riff. If your tastes run to literate takes on familiar themes, without a lot of fanfare, then this one's up your alley. |
Dan's site.Order from Miles Of Music or CD Baby. Released January, 2004, reviewed by Don Grant. |
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