Friday, February 17th, 2006
... 3:00 p.m. - 6:00 p.m. ...
KZSU, 90.1 FM
Full-length show, as Stanford baseball got rained out.
Format:
ARTIST -- "TRACK TITLE" -- ALBUM TITLE (LABEL, YEAR)
* On Ensemble -- "Zeecha" -- Dust and Sand (self-released, 2005)
Upbeat track from this local group, this time matching taiko drums
with turntable percussion. Really cool. I'd love to see these guys
live, although they've got so many guest instruments on the CD (Tuvan
throat singing, thumb pianos, flutes, the turntablist) that I wouldn't
know what to expect.
* MTKJ Quartet -- "I Hate Your Teapot" -- Day of the Race (Nine Winds, 2005)
* Alex Von Schlippenbach, Paul Dunmall, Paul Rogers, Tony Bianco -- "Leviathan" [excerpt] -- Vesuvius (Slam, 2005)
Had I known I would have the full three hours, I might have devoted
a slab to one of the two half-hour tracks that make up this CD. It's
really great quartet improvisation, led by Von Schippenbach's sax and
featuring sublime drumming from Bianco.
I've been playing excerpts quite often -- alas, I didn't open e-mail in
time to see that the baseball game was officially rained out.
On the other hand, this will give me time to play a long Larry Ochs track
that I'd previously thought I didn't have time for ...
* Zu and Mats Gustafsson -- "Meat Eater, Solar Bird" -- How to Raise an Ox (Atavistic, 2005)
Yes! Another album from the aggressive Italian "jazz" group
Zu, this time with saxophonist Gustafsson, who in the '90s was associated
with punkish free-jazz playing (and still kind of is, although he can also
do artsier, slower stuff -- like his duo album with David Stackenas, which
I've been playing quite a bit.) Zu are a treat, fast and explosive,
although this track is more slow/loud/aggressive/evil sounding. They did
a CD with Eugene Chadbourne a few years ago, called "Zu Side of the Chadbourne," with
song titles like "Stairway to Chadbourne" and "Porgy and Chadbourne" and
"For Those About to Chadbourne." Gotta love that.
* New American Wing -- "X" -- New American Wing (self-released, 2005)
A 40-second blip, jazzy and catchy, from this instrumental group.
Their stuff is like post-rock (a group called 33.3 is a good comparison) but
with some definitely jazz-leaning tracks. This was a minor debut for them
on my show; I'll be playing a lot more of them for weeks to come.
* Jacob Fred Jazz Odyssey -- "Fables of Faubus" -- The Sameness of Difference (Hyena, 2005)
Rent Romus Life's Blood Trio -- "U R the 1" -- Blood Motions (Edgetone, 2001)
Aggressive, bright free-jazz from one of Rent's multiple bands over
the years. Lately he's been more into improv/noise stuff with bands
like The Abstractions.
Rent and four other artists -- Emily Hay (Los Angeles), Robert Montoya (San
Diego), Marcos Fernandez (SD), and Ernesto Diaz-Infante (SF) are gathering
on Thursday Feb. 23 to celebrate the release of hay & Fernandez's latest CD
on Pax. So, I figured I'd
spin some related tracks for this particular set ...
Ernesto Diaz-Infante -- "XI." -- Solus (Pax, 2000)
Jumbly piano improv, not really ambient and certainly not new age.
One facet of Ernesto's musical diaspora.
Ernesto Diaz-Infante and Chris Forsyth -- "Cut and Dried ...Acoustic/Electric #2" -- Wires and Wooden Boxes
(Evolving Ear/Pax, 2001)
Emily Hay -- "Wha' 'bout" -- Like Minds (pfMentum, 2005)
Cool CD from flutist/vocalist Hay, collecting tracks from the past several years. Some are
abstract improvs; a few, like this one, include beats; one or two are outright
rock songs. This track reminds me a lot of Amy X. Neuburg: Ghostly female voice saying
"What about" over percussion, followed by an athletic jam on flute.
-- 4:00 p.m. --
* Andrew Bishop -- "Fragments in Imaginary Time" -- Time and Imaginary Time (Envoi, 2005)
*! Arthur H. -- "Ma Sorciere Bleue" -- Adieu Tristesse (Polydor, 2005)
I'm not familiar with Arthur H. but fellow DJ Decca is all ga-ga
over him, which tells me he must be good. He's kind of a French
Tom Waits, especially on this track with its hip/avant '50s-cool feel.
Other tracks include jumpier jazz influences and an operatic tangoesque
piece.
* Patrick Cress' Telepathy -- "Sarcasm in the 13th Dimension" -- Meditation, Realization (Odd Shaped Case, 2005)
With a title like that, I had to play this song eventually. A drunken
horn theme leads into some midtempo soloing; the middle gets slower, with loose wandering.
Cress (sax) and Aaron Novik (clarinetist who wrote this one) are creating
some of the most interesting and ear-catching jazz around,
with occasional free touches and lots of Klezmer influence. Novik's
band Gubbish has an album that's a real treat; we need to get a copy
here at the station.
Larry Ochs Sax and Drumming Core -- "Finn Crosses Mars" -- The Neon Truth (Black Saint, 2002)
Consisting of Ochs (the "O" in ROVA Sax Quartet with
drummers Scott
Amendola and Donald Robinson. Nice energetic stuff, apparently not
100% improvised although it's got a loose free-jazz sound. The bright
neon yellow cover is appropriate for tracks like this one that are
just plain joyous in their attack. It's one of those bands that's
hard to convene because everyone involved has careers going, but they
managed to get quite a few gigs under their belt. Anyway, Ochs and
Robinson are playing as a duet at Cafe Royale in SF on Monday, a rare
enough occurance that it was a great excuse to trot out this CD.
* Madagascar -- "All That Spring You Could See Halley's Comet" -- Forced March (Western Vinyl, 2005)
Acoustic guitar, accordion, and theremin. How can you resist that
combo? Instrumental tracks witha European old-world-folk flavor. Nice
stuff, kicking off an accessible three-song set.
* Odyssey: The Band with James "Blood" Ulmer -- "Last One" -- Back in Time (Pi Recordings, 2005)
Blood is back! A much "tougher" track than the Madagascar, but
its quick-hit intro made for a good segue. This one's a low-key blues/rock
instrumental with a fast, solid beat.
If I've got the story right,
this trio recorded an album called Odyssey way back when
and recently convened in the studio for the sequel. Not quite what I
expected -- you've got a couple of hard-digging blues tracks, but
most of the CD consists of one-chord jams that highlight Blood's guitar
backed with Charles Burnham's scratchy violin sounds, creating a
great, rootsy, down-home kind of mix. (Warren Benbow on drums rounds
out the band.) The musical themes are really surprising to me,
getting into folky/country vibes, country-fied funk, and even
outright Celtic! Great stuff. I need to learn a lot more about
James "Blood" Ulmer.
! The New Pornographers -- "Sing Me Spanish Techno" -- Twin Cinema (Matador, 2005)
Great song, dopey title. Minus the title line, the chorus really
says something to me, and we'll leave it at that.
* Hard Cell with Tim Berne -- "I Do It" -- Feign (Screwgun, 2005)
-- 5:00 p.m. --
* The Vandermark 5 -- "Pieces of the Past" -- The Color of Memory (Atavistic, 2005)
What this band does so well: A fairly straight jazz walk, but
with Ken Vandermark's solo swooping and diving into all sorts of
free jazz skronking.
* Agusti Fernandez and Mats Gustafsson -- "Critical Mass 2" -- Critical Mass (Psi, 2005)
* Garage a Trois -- "Bear No Hair" -- Outre Mer (Telarc, 2005)
* E.C.F.A. Quartet -- "Swaps" -- Die Mitte Aus Der Welt (Lenka Lente, 2005)
A chamber-like piece with two saxes and viola, starting off in
prim chamber-jazz themes and getting into some crazy group improv.
The serious side of the group; leader Carl Smith also goes for some
bright jazz sounds that I've played before.
Moe! Staiano -- "The Ten Indexes" -- The Lateness of Yearly Presentations(Dephine Knormal, 2002)
Ten tracks featuring Moe!'s crazy junk percussion with various
guests. All kinds of noises, all kinds of fast deft clatter, for
15 minutes. Yes!!
* Foxes Fox -- "Naan Tso" [excerpt] -- Naan Tso (Psi, 2005)
* = Item in KZSU rotation
! = Pop anomaly
? = Item not in KZSU library
-- Go back to Memory Select playlists.
-- Bay Area free/improv music calendar: http://www.bayimproviser.com.