| 
 Aquatint etching is a technique that produces a full tonal range and rich texture in etchings. To create an aquatint, rosin dust is dropped onto a copper plate and then the rosin is melted onto the plate. This produces a matrix of small acid resistant dots across the surface of the plate. | |||||||||||||||||||||||||||||
| One of my goals is to be a resourse for other printmakers. Below are more detailed descriptions of how I create my aquatints: | |||||||||||||||||||||||||||||
| AQUATINT CLASS: Single rosining aquatint: Petaluma Oaks Multiple rosining aquatint: Shadows Creep-etch: Skagit Multiple-plate aquatint: Evening Reflections | |||||||||||||||||||||||||||||
|  |  | ||||||||||||||||||||||||||||
| I have also written four technical articles on aquatint etching for printmakers. | |||||||||||||||||||||||||||||
| Photo by Susan Sanford © 2000 | |||||||||||||||||||||||||||||
| The plate is heated on the hot plate to melt the rosin. A loupe is used to observe the progress of the melting. | |||||||||||||||||||||||||||||
|  | |||||||||||||||||||||||||||||
| PAGE 1, PREPARING THE PLATE | |||||||||||||||||||||||||||||
| PAGE 2, DRAWING THE IMAGE | |||||||||||||||||||||||||||||
| Photo by Susan Sanford © 2000 | |||||||||||||||||||||||||||||
| The plate goes into the rosin box after the the crank has been turned to raise the rosin dust. | |||||||||||||||||||||||||||||
| PAGE 3, MULTIPLE PLATE PRINTS | |||||||||||||||||||||||||||||
| PAGE 4, PRINTING THE PLATE | |||||||||||||||||||||||||||||
| The Process For Creating Lithographs | |||||||||||||||||||||||||||||
|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |