Aquatint etching is a technique that produces a full tonal range and rich texture in etchings. To create an aquatint, rosin dust is dropped onto a copper plate and then the rosin is melted onto the plate. This produces a matrix of small acid resistant dots across the surface of the plate. |
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One of my goals is to be a resourse for other printmakers. Below are more detailed descriptions of how I create my aquatints: | |||||||||||||||||||||||||||||
AQUATINT CLASS: Single rosining aquatint: Petaluma Oaks Multiple rosining aquatint: Shadows Creep-etch: Skagit Multiple-plate aquatint: Evening Reflections |
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I have also written four technical articles on aquatint etching for printmakers. | |||||||||||||||||||||||||||||
Photo by Susan Sanford © 2000 | |||||||||||||||||||||||||||||
The plate is heated on the hot plate to melt the rosin. A loupe is used to observe the progress of the melting. | |||||||||||||||||||||||||||||
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PAGE 1, PREPARING THE PLATE | |||||||||||||||||||||||||||||
PAGE 2, DRAWING THE IMAGE | |||||||||||||||||||||||||||||
Photo by Susan Sanford © 2000 | |||||||||||||||||||||||||||||
The plate goes into the rosin box after the the crank has been turned to raise the rosin dust. | |||||||||||||||||||||||||||||
PAGE 3, MULTIPLE PLATE PRINTS | |||||||||||||||||||||||||||||
PAGE 4, PRINTING THE PLATE | |||||||||||||||||||||||||||||
The Process For Creating Lithographs | |||||||||||||||||||||||||||||