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3-Iron—brief notes on the director

Director: KIM ki-duk

  • born 1960, South Korea
  • raised as a Christian
  • 1990-93 in Paris studying art (sort of)
  • from violence to a type of mysticism, but negativity still there
    • Making films since 1996, beginning with violent portrayals of alienated young people and youthful rage, can evoke some very disturbing images:
      • The Isle of 1999—fisherman obsessed with a mute prostitute
    • 2002: Spring, Summer, Fall, Winter … and Spring — serenity, mystical aura
  • Problems at home — criticized at home for Spring, Summer as catering to international audiences presenting Asia as exotic (plays the Buddhist hand hard) even though it is actually subversive of Buddhist values
    • So controversial that for a while he said he would not distribute his films in Korea
    • Another example of controversy around him: is he misogynist or making allegories of misogynist culture?
      • think about the golf ball "hitting" Venus de Milo on screen at the beginning of 3-iron

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Director: KIM Ki-duk (Korean, Seoul)
Year released: 2004
Running time: 1:25
Setting: Mostly urban Korea
IMDb: 3-Iron
Release data (Box Office Mojo): 3-Iron


Tae-suk: the motorcycle-riding, house fixer-upper male protagonist

Sun-hwa: his romantic interest who is in an abusive marriage

Min-gyu: Sun-hwa's abusive husband


Topics of focus for this film:

Relationship between "society" and this couple.

Reconstructing "worlds".

Role of Buddhism in this film.

Dream and dreaminess in this film compared to the others screened.

Place of women in this film and the others screend.

Is this film misogynistic?


Module 01: Scenes 00-07 (31 min.)
Module 02
: Scenes 11-20 (35 min.)
Module 03
: Scenes 21-28 (20 min.)


Availability on campus:

East Asian library—EAST PN1997.2.P592 2004 Media Room